File:El embrujado From Wikimedia English: Representación de la obra de teatro El embrujado, de Ramón María del Valle-Inclán. Valle-Inclán and the theatre: innovation in La cabeza del dragón, El embrujado, and La marquesa Rosalinda. Front Cover. Xavier Peter Vila. Bucknell University . : Valle-Inclan and the Theatre: Innovation in LA Cabeza Del Dragon, El Embrujado, and LA Marquesa Rosalinda () by Xavier .

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His calling upon the devil for aid in the acquisition of Antonia’s love is in direct opposition to the Catholic religion, consequently, he looks to superstitious methods to acheive his end. She tells the boy’s mother that her husband has a demon on his side.

The three youths have been bitten by a rabid wolf. Power that had been given to him by the devil.

Campanella writes that the significance of the black hand, like the black cat, is the expression of witchcraft in the ambiance of Galican village life. She has a pair smbrujado scissors in one hand and a cross in the other.

He was painted, described and studied. The mother complains a few times about a black cat near her but it is only after the death of his mother that the boy realizes that Bretal had been the cat that had plagued his mother.

Emotionally, Antonia’s mother is a portrait of contrasts. When the Countess asks her if she can work evil spells, the old woman baulks, saying that it is a sin. One finds, through these stories, that although the Church frowned upon the use and belief of witchcraft, that it was still practiced on a daily basis.

Valle-Inclan and the Theatre : Xavier Vila :

Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. The mother notices that Antonia is embrujdo. The great-grandfather has a red spot on his cheek that the village people believe is the kiss of a witch.

It is this belief that the combination of the superstition and religion may provide the necessary weapons in their fight against evil. Father Bernardo says that in Embrujavo death the devil will win not only Bretal’s soul but quite possibly Antonia’s too. Here we see the use of religious objects to conjure up evil spells.


She could only wait until the dwarf slept and then from her window she would call out to those outside. His yells are likened to animal noises. The boy totally believes that Bretal is the devil and has done his utmost to bewitch Antonia.

The mother becomes frantic at this pronouncement and asks the priest inclsn the Grace of God. As we have already galle, Beatriz is the victim of a mal de ojo.

Green eyes are a sign of malevolent forces. However when one of the old women of the village passes by to enquire about their health, she tells the boys to have a mass said to San Electus, giving them hope that there might still be a chance to overcome their deadly predicament.

She was the daughter of a king. Sacrilegious because Bretal is a member of the Church.

El embrujado : tragedia de tierras de Salnes, original

Summary [ edit ] Description El embrujado Valle. Mi madre era muy bella, blanca y rubia, siempre vestida, con guante negro en una mano, por la falta de dos dedos, y la otra, que era como una camelia, toda cubierta de sortijas. She gives the cross to the boy and says that they must do as his mother asks and get rid of the cat. Christian ideology is brought in to combat this evil possession of Antonia, however, as in embrujadk instance, religion does not always triumph.

This saludadora also has the power to evoke evil. A grandmother is certain her ailing grandchild is near death because of the howling of the dogs, and her apprehensions move her to declare that she hears the beating of the child’s wings, as though he were practising flying.

Superstition in Valle-Inclán’s Jardín umbrío, El Pasajero nº 22, estío

From birth she had been kept hidden through sorcery. She is described as being devout, but also has powerful, mysterious powers. Views View Edit History. It gives them a melancholy happiness, a dreamlike placidness She is cognizant of all the spells to use, good and evil, but uses them within the guidelines of the Catholic religion.


She is a devout and caring woman, however, she cannot abide Bretal. The captain feels remorse at having cut off the hand from the young woman and becomes entranced with embfujado owner. Just feeling his gaze upon her makes the woman feel touched by a miracle. His face is bandaged up and the boy believes he sees that his ears have been clipped, all the proof he needs that the cat and Bretal are one and the same.

She is an old woman of great vale. From reading the palm Madre Silva recites the owner’s story. Note that a few countries have copyright terms longer than 70 years: Rosa Seeleman also writes of folkloric elements in this particular short story: She would rather see Antonia rmbrujado than be with him. The mother believes it is a manifestation e Bretal. The mother feels herself persecuted by malevolent spirits. Jesus knclan not cure her then and there, but rather sends her home to wait for him.

When the captain and his followers return to their cave, the old woman is there waiting for them. Como toda tierra muy religiosa, Galicia vive de demonio. Roviro writes that both religion and superstition have their place in the lives of the Galician people. The captain was able to see her for what she was because she had put on those rings.

A dwarf kept her prisoner. Folklore and superstition are just as important to the Galician people as is the Catholic Church. vale

He states that religion is a very real part of the everyday life of this agrarian population.