One of Latin America’s most important and prolific writers, Griselda Gambaro has Information for Foreigners is a drama of disappearance, an experimental. Information for foreigners: three plays. Front Cover. Griselda Gambaro. Northwestern University Press, Mar information. QR code for Information for foreigners. Information for Foreigners by Griselda Gambaro – book cover, description, publication history.

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Then men recite a poem by Juan Gelman.

“Information for Foreigners”: A Dissection | The Imagined Aristocracy

It is there, and it cannot be avoided. A prostitute tries to join but they will not allow it. The dead prisoner gets up and begins to dress. The usher insults the girl in wet clothing and complains that there is not any art on the walls as he expected. As an Argentinian playwright, Gambaro is profoundly influenced by the politics of the state, both in her personal and professional life, and as such she chooses to depict the mechanisms of the state in her work, in an attempt to give voice to the thousands of people who were repressed by it through torture.

From Wikipedia, the free encyclopedia. Who will foreibners it? This site uses cookies. The guide takes time to find a flashlight and reveals a man wearing only faded underwear.

However, the tour guides are not the only characters who abuse their authority. My library Help Advanced Book Search.

Information for Foreigners by Griselda Gambaro

Throughout the play, the audience sees various levels of power, control, and authority. Create a free website or blog at WordPress. The setting evokes the spaces used for detention and torture — residential houses — and, in doing so questions the boundaries of the public space versus the private space.


The group is rushed from the room.

Similarly, actors are interspersed with the audience groups, and in certain scenes they intervene in the action, further impacting the audience, which is now left with no one to confide in. A girl lying on a bed sits up and delivers a monologue about how she wishes to die quietly and peacefully. Uncategorized on October 3, at 7: The play consists of twenty scenes. She gives specific instructions on how the play is to be performed, starting with the location a large house or a warehouseand continuing with the participants actors and audiencewhich should not be allowed to talk to each other during or prior to the performance.

And the audience obediently moves from room to room. What should one do in that situation, when people around them turn out to be part of the other side?

Information for Foreigners

However, they do little else besides walk around the performance area and drink wine—offered by another actress in the play. Themen then strip the prisoner and decide to play “hard boiled egg. The father tells a strange story with “no morals. He says hello to the man in the informatiln then closes it again.

Scene 19 There are prisoners “heavily made up with false eyelashes and lots of Rouge” handcuffed next to a wall. He puts the gun in her lap and warns her that one pull of the trigger will end everything. An old woman comes gambrao and asks to see her son. A police officer searches for the woman who owns the shoe, saying the price will marry her right away. To find out more, including how to control cookies, see informatoin This perceived normalcy combines audience participation and action, to a certain extent.


This article’s plot summary may be too long or excessively detailed.

One of the men asks the other three their names, and they all say “fear” The Woman is Marina, a 20 year old Greek prisoner who was tortured. Another tool that Gambaro used, which I thought to be very effective in portraying the terror and the lack of security present in Argentina at that time was having actors amongst the audience, which reaffirmed the idea that at that time, no one could be trusted and people did not know who might be informants for the police, sometimes these could have been neighbors or even members of their families.

Tagged as argentinagriselda gambaroinformation for foreignerspolitics of performance space. It is not something to be ashamed of, nor something to take pride in.