THE EAST COAST HAD LES PAUL. Perhaps the West Coast’s answer to the guitar kingpin was Jimmy Wyble. Wyble, who passed away. The right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses. As many of you know Jimmy Wyble passed away in early January of just a If you don’t have Jimmy’s book – “The Art of Two Line Improvisation” – it is now.

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This information has never been published although it was used back in the late 70’s as curriculum for GIT in Hollywood.

Art of Two-Line Improvisation, the

This collection of etudes, written during the ‘s, was composed as a result of Jimmy Wyble’s explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. Selected pages Table of Contents. Not improvisatkon valid email. Written in notation and tablature. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. Jimmy didn’t have much use for anything that kept him from his guitar.

This lesson takes a simple Improvjsation major triad and alters it and sends in through a cycle. These new harmoni c sounds combined with beautifulmelodies will inspire any quitarist to new levels of musical creativity. There are many references in the manuscript to the contrapuntal etudes but not to the actual Two Line Improvisation book.


The Art of Two-Line Improvisation eBook+Online Audio – Mel Bay Publications, Inc. : Mel Bay

Thank you for your support of this information and I look forward to hearing from you. The right and left hand fingerings presented in this book were also developed Get the extra files for your Mel Bay book by clicking the “Download Extras” button below. Jimmy Wyble’s Solo Collection Author: Jim Carlton does a pretty good job here keeping Jimmy talking about himself.

This is a arrangement Jimmy did in the early ‘s written by the music director for the Flip Wilson show. I look at this material not as chord melody arrangements but as beautiful compositions and studies based on a famous progression or tune. My library Help Advanced Book Search.

Access to online audio available for download. You will be notified when new files have te added to this site. Impgovisation new harmoni c sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Please be patient and the information and lessons will continue to be added little by little.

US Customers International Customers. The Art of Two-Line Improvisation. It will literally take years to go through everything. Concepts for the Classical and Jazz Guitar Author: These are my notes from another lecture from his series at Musicians Institute.

I took this concept and tried it out against different harmonies, keys and tonal centers. This is an arrangement that Jimmy wrote based on the changes to the tune “Sweet Georgia Brown”. If you like what you see on this site, then this book will be very necessary to developing these contrapuntal skills.

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Please click the link above to listen to sound files improvisatiion the some of the examples. Many people told him about the lessons that are posted here and he was very proud of what I had done even though I don’t think that Jimmy ever personally saw my website.

The Art of Two-Line Improvisation – JIMMY WYBLE – Google Books

This material is from a lecture that Jimmy presented at Musicians Institute on April 24, Jimmy’s Sketchbook – Sound Files. This lesson confirms this. We owe the thanks for that event to Larry Koonse and Brandon Improvisatioon.

This packet comes from Jimmy’s seminar he gave at Musicians Institute on March 13, I always thought that this was a major element to Jimmy’s way of thinking and hearing music. If you are new to this style of playing, then this packet will be a great lesson to begin with.

A lesson from Jimmy Wyble March 6, These are my notes from another lecture from his series at Musicians Institute. This lesson demonstrates how Jimmy introduces guitarists to the contrapuntal style of guitar playing.