Check out Crossroads Blues by Adam Gussow on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Author Adam Gussow is a blues harmonica player who formed Satan & Adam duo with Sterling “Mister Satan” Magee, who played guitar and. Gina Mahalek talks to Adam Gussow, Author of Beyond the Crossroads, about Sterling Magee, the blues tradition and folklore in the American.

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Kick and Stomp MP3. Ward and I shot in the Mississippi Delta.

The author provides guidance for determining meaning beyond the superficial layer songs may present at first hearing. It’s been a long time in coming! I think I may already have found my blues harmonica album for !

Satan and furious the raging lower-register groove of Kick And Stompdepending on the mood of each song…. The two have been playing together since the mids….

Also included are extensive Notes and Bibliography sections plus eight pages in chronological order listing blues songs with a devil theme. He’s changed up the harp; instead of playing it in second position cross harphe’s moved to third position, bluss it a minor feel: Adam Gussow — Beyond The Crossroads.

The second is for all other customers Canada, Mexico, UK, Europe, and all other international addresses. Here’s what Roger Gatchet of Living Blues had to say in his review of the album: Those fruitful years serving as Mr. The early blues musicians had to be careful with the lyrics and imagery they used in songs so as not to offend any part of the white power structure in the rural South.

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Adam Gussow – Beyond The Crossroads | Book Review

Readers will be compelled to revisit some classic tunes to hear the songs with fresh ears, ready to garner new meanings based on the many forms of the devil illuminated in this work.

Hakan has gone on to become one of the most creative and prolific blues harmonica video creators on YouTube.

Just me in the studio–and of course, hamming it up on location, as people do when they make music videos: Previous Post Previous Issue 51 December 21, Early attempts were made to counteract the fiddle, which could, in the right hands, whip people into a dancing frenzy.

Gussow for attempting to get us out of our blues comfort zones, and for providing readers with well-researched concepts that invite us to do more than just listen to the music. But the devil image also enabled the musicians to boast of their own power, sexuality, and freedom in a way that escaped notice. AG books Mister Satan’s Apprentice. Here’s a live version from a solo concert I did in San Jose, California in Listeners are left to guess which form of the devil she is referring to — or perhaps the devil figure represents an over-riding sense of despair.

It’s scary how quickly and far ideas travel in cyberspace!: Within two weeks, in mid-Junea fine Swedish player named Hakan Ehn had uploaded the following.

Kick and Stomp: a solo album by Adam Gussow

After a thirty-five year career as a blues performer, including more than two decades with the W. Only a handful gusspw players on the contemporary blues harp scene have developed an immediately recognizable voice on the instrument.


But Hakan didn’t stop there. Kick and Stomp showcases Gussow in an unexpected but logical setting: Here’s the music video of one cut from the album, “Crossroads Blues,” that my producer Bryan W. Currently an associate professor of English and southern studies at the University of Mississippi, Gussow also teaches harmonica and pairs with guitarist Alan Gross in the Blues Doctors duo.

The pastors turned crpssroads fire and brimstone, calling out the devil lurking in blues music, hoping to save souls and their financial future. The final section will certainly generate plenty of discussion.

Can you hear what he’s done? The focus then shifted to the guitar players once that instrument began to gain prominence.

Adam Gussow’s “Crossroads” for harmonica: themes and variations

They spent years busking on a street corner in Harlem, eventually releasing two albums on the Flying Fish label and taking their music to stages throughout the world. Kick and Stomp showcases his talents as a modern virtuoso, a player American Harmonica Newsletter praised for exhibiting the sort of “[t]echnical mastery and innovative brilliance that comes along…once in a generation.

AG books Mister Nlues Apprentice.